Sunday, December 20, 2015

River Agosto Character Creation

1450678864_user-female_2WritinGeekery.com http://www.writingeekery.com/ is an excellent resource with plenty of free advice and downloads for writers. One download that I have laminated sits alongside my computer. It is a simple check off list that helps with “The Groundwork of Character Creation”. Here is what I have so far for River Agosto, the protagonist in my novel in progress, with a working title of–River–an environmental thriller:


The Groundwork of Character Creation: (smart, strong, resourceful and romantically foolish)


River fears getting stuck in situations she cannot control which stifle her gregarious tendency to act on her instincts.


Her major flaw is her self-righteousness with no room for compromise.


She secretly betrayed a lover when she was in the military. Her actions went unnoticed. His actions resulted in a dishonorable discharge.


She loves animals way more than people.


River is clever, physically strong, and determined.Riverfront1000


She wants money to buy a high desert working ranch.


She loves the high life but feels guilty when she indulges.


Environmental issues drive River above all else.


She regrets her military betrayal and her previous lover will play an antagonistic role.


I recently re-watched the 1967 movie “Cool Hand Luke”. Luke played by Paul Newman gave me a clue to River Augusto’s general statement.  Like Luke she has come to understand governmental protocol and how to survive it–at least temporarily. Luke, of course, was imprisoned, and worked on a Florida road crew. River deals with a similar hierarchy of command that like Luke is against her nature and the movie quote, “What we’ve got here is failure to communicate,” fits the bill.


Stay tuned for more about River Agosto as she develops. I promise a fun ride.


 


 


 


 


 



River Agosto Character Creation

Sunday, December 6, 2015

River Agosto -- The Setup

1449465964_SchoolI’ve had a few offers from friends to critique and offer suggestions for my inaugural attempt at a long fictional work. River Agosto is a cocky broad who takes no shit. She has affinity for the bad boys and is regularly screwed by them in traditional and  non-traditional ways–yet she’s magnetically attracted. Her job as an government environmental geologist is a constant annoyance. She bucks the system at every twist and turn, often to her demise. Will she win in the end or be destroyed? So, here’s a quick sketch for the opening paragraphs. I welcome comments, which you can make here, on the contact page, or email me directly at Elaine@mediadesign-mds.com . The payoff for your help? A listing in the credits of the book, movie and/or TV series. 😎


The Setup


River’s fear of attack from behind wouldn’t allow for the use of ear buds to muffle the mindless chatter in the office. In an attempt to control the time wasters, Dusty Cooke and Rochelle Stone regularly circled the area. Their self-imposed deadline for the environmental impact report made River uncomfortable. They had never pushed this hard before. River had the phone signal turned down, but each time it rang, she jumped.


“Something’s wrong here,” Dusty’s voice bellowed from the receiver.


“Wrong?” River said knowing that even if it wasn’t her fault that she would be blamed for anything askew.


“You’ve got to go out to the excavation site tomorrow and check the soil samples. The salt levels can’t be this high. You’ve got to verify that the range is normal, or they’ll never let us finish the canals.”


“I double checked the numbers yesterday and they were accurate,”


“I knew I shouldn’t have trusted a greenie with this. I bet you sabotaged the data for the sake of saving some tortoises.”


The term greenie was Dusty’s slang for environmentalists and River was tired of the constant ridicule; but before she could let Dusty have it, she felt a tap from behind. It was Rochelle.


“Is that Dusty on the phone?”


“Hold on Dusty, Rochelle’s here,” River quipped and handed Rochelle the receiver.


“Hi darlin’, is there a problem with the construction site? Too much salt?  Well, we’ll tweak the numbers. What? A demonstration? Shit, this better not make the news. We’ve got to send someone who can talk green. Yeah, I guess River is it. I’ll talk to her about the money—she’ll do it. Huh? No worries, I’ll come by your office later.”


Rochelle hit end call. “Okay everyone, we need to have a quick meeting,” she announced to the rest of the cubicle row. “Conference Room C, now.”


Sadie, Jack and Opal filed out of their assigned pods as ordered, down the hall and into Room C without a word. They knew better than to question Rochelle, especially if they ever wanted to see bigger paychecks and private offices. River followed reluctantly.


“Okay everyone, here’s the scoop. As usual, it’s all about water and we have to prove that our canals won’t hurt, but help, the area. I’m sending River to personally take soil samples. Sadie, book her a flight to Albuquerque as soon as you can get her there. She’ll need a four wheel drive truck. Jack, pack her a sample bag and Opal transfer all the files to a laptop.”


The group scurried to their assignments. River glared at Rochelle. “This is kinda sudden, isn’t it? You want me to drop my life and run off on this whim of yours?”


“Look sweetie,” Rochelle started.


“I told you, my name is River.”


 “Okay, River,” Rochelle said softening her tone. “There’s money in this, lots of it and some of it could be yours.”


“How much money?” River also softened.


“You help us tweak a few reports, alter a few numbers and come out squeaky clean for the EPA and I’ll make sure you can move out of that hovel you call an apartment.  How would you feel about Cahuilla Hills? Maybe meet a Palm Desert hunk with a bank account and horses? It could be nice.”


River arrived on a flight from Palm Springs to Albuquerque at 9:00 P.M. Wednesday, November 11, 2015.


 



River Agosto -- The Setup

Wednesday, November 11, 2015

The Setup--A Scene Sketch

e374f306a6a6b85775ddf0168f87b03ddc433a90Moving along with the MOOC (Massive Open Online Course) from the University of Iowa, “How Writers Write Fiction”. I’ve used this assignment to expand the characters and setup River Agosto’s first challenge.


The Setup


River’s fear of attack from behind wouldn’t allow for the use of ear buds to muffle the mindless chatter in the office. In an attempt to control the time wasters, Dusty Cooke and Rochelle Stone regularly circled the area. Their self-imposed deadline for the environmental impact report made River uncomfortable. They had never pushed this hard before. River had the phone signal turned down, but each time it rang, she jumped.


“Something’s wrong here,” Dusty’s voice bellowed from the receiver.


“Wrong?” River said knowing that even if it wasn’t her fault that she would be blamed for anything askew.


“You’ve got to go out to the excavation site tomorrow and check the soil samples. The salt levels can’t be this high. You’ve got to verify that the range is normal, or they’ll never let us finish the canals.”


“I double checked the numbers yesterday and they were accurate,”


“I knew I shouldn’t have trusted a greenie with this. I bet you sabotaged the data for the sake of saving some tortoises.”


The term greenie was Dusty’s slang for environmentalists and River was tired of the constant ridicule; but before she could let Dusty have it, she felt a tap from behind. It was Rochelle.


“Is that Dusty on the phone?”


“Hold on Dusty, Rochelle’s here,” River quipped and handed Rochelle the receiver.


“Hi darlin’, is there a problem with the construction site? Too much salt?  Well, we’ll tweak the numbers. What? A demonstration? Shit, this better not make the news. We’ve got to send someone who can talk green. Yeah, I guess River is it. I’ll talk to her about the money—she’ll do it. Huh? No worries, I’ll come by your office later.”


Rochelle hit end call. “Okay everyone, we need to have a quick meeting,” she announced to the rest of the cubicle row. “Conference Room C, now.”


Sadie, Jack and Opal filed out of their assigned pods as ordered, down the hall and into Room C without a word. They knew better than to question Rochelle, especially if they ever wanted to see bigger paychecks and private offices. River followed reluctantly.


“Okay everyone, here’s the scoop. As usual, it’s all about water and we have to prove that our canals won’t hurt, but help, the area. I’m sending River to personally take soil samples. Sadie, book her a flight to Albuquerque as soon as you can get her there. She’ll need a four wheel drive truck. Jack, pack her a sample bag and Opal transfer all the files to a laptop.”


The group scurried to their assignments. River glared at Rochelle. “This is kinda sudden, isn’t it? You want me to drop my life and run off on this whim of yours?”


“Look sweetie,” Rochelle started.


“I told you, my name is River.”


     “Okay, River,” Rochelle said softening her tone. “There’s money in this, lots of it and some of it could be yours.”


“How much money?” River also softened.


“You help us tweak a few reports, alter a few numbers and come out squeaky clean for the EPA and I’ll make sure you can move out of that hovel you call an apartment.  How would you feel about Cahuilla Hills? Maybe meet a Palm Desert hunk with a bank account and horses? It could be nice.”


River arrived on a flight from Palm Springs to Albuquerque at 9:00 P.M. Wednesday, November 11, 2015.


 



The Setup--A Scene Sketch

Sunday, November 1, 2015

River Agosto -- A character study

e374f306a6a6b85775ddf0168f87b03ddc433a90Folks  often tell me that I take a round about approach to life. For years, to no avail,  I did my best to think like others.  When I decided to write an Environmental Action Thriller I gave myself permission to do it in any unorthodox fashion I wanted. I bought how to books, watched videos, asked other writers for help, and signed up for a MOOC (Massive Open Online Course) from the University of Iowa. As I work through some of their assignments, I thought I’d post a few tidbits here. This first one is an off-the-cuff scene into which I threw my main character, River Agosto. See what you think.


River Agosto


“River Agosto?” the nurse called out.


“Christ,” Sam snarled as River dug her nails into Sam’s leg for leverage. Her mangled foot had swollen to twice its normal size and the hard plastic waiting room chair had taken the feeling from her leg.


“I’m River, I’ll need some help.”


“Are you with him? Hon?” The nurse asked River as she pointed to Sam.


“Yeah, you wouldn’t know we were friends, by all the help he gives me.” River snapped.


Sam ruffled the pages of Sports Illustrated and sunk lower in his chair. ‘Whadaya want from me? It’s the swim suit issue. You’re a tough girl. You can walk,” he mumbled as he flipped through the pics of half-naked women.


River hobbled along behind the nurse who ushered her into EXAM ROOM B. “Take off your pants, socks, and shoes. The doctor will be in soon.”


River couldn’t put any weight on her left foot. That last slide down the canyon wall had dropped them fifty yards to where the mules waited. She could still hear Jack and Sadie’s curses echoing off the rock walls. Boy, were they pissed. She smiled at the thought, but this ankle hurt like hell. A tap on the door signaled the doctor’s entrance.


“Hi, I’m Dr. Sandahl, what do we have here?” Todd Sandahl asked as he flipped through a clipboard of paperwork.


River raised her leg, looked for a wedding ring and came up empty. She managed a few tears and gave it her best, “I’ve either sprained or broken this,” she sobbed. “I fell during a hike in the canyon and my friend outside in the waiting room brought me here to the ER.”


Dr. Todd glanced at his watch, pulled over a stool and peered at the injury. “I’ll buzz the nurse, she’ll take some x-rays. I don’t think it’s broken. She’ll give you a prescription for the pain; ice it and stay off it for a while and you’ll be fine. If it gets any worse see your family physician.”


“That’s it?” River whimpered.


The doc slid off his stool, “Yep, that’s it. Don’t call us, if we don’t call you,” he joked and slipped out into the hall.


“Shit,” she groaned as she gathered her stuff, managed to get her jeans back on, and hobbled to the waiting room. “Now where the hell did Sam go?”


“Will that be cash or credit card?”


“What?”


“Cash or Credit Card for the exam?”


“Is my friend still here?”


“No, he left. He called someone and they picked him up. He said he’d see you at home. Oh here, and he left you the car keys.”


River signed the discharge papers, handed over her credit card, and tried to look on the bright side—at least she could drive with her right foot and she wasn’t dead. Still she was going to beat the shit out of Sam—he better be home alone, that son of a bitch.


 



River Agosto -- A character study

Wednesday, October 14, 2015

Part 3 Out the Door

1443931553_Quartz_crystalPart 3 Out the Door


I stayed put for a few moments after Claudia ran out on me. I shifted my gaze back to the ball. Encapsulated clouds swirled and became dark and threatening. The rock rolled off its stand to the floor, across the room, down the hallway to my bedroom. I followed and stuffed it into the green canvaspoem backpack on my bed.


What was here to keep me?—my books?—records? Things; only things. The people I wanted to love didn’t care; didn’t feel—innards as hard as rocks. The curio shelf held scattered rough mined stones—amethyst, quartz, shale—I swept them into a side pocket.


The inanimate object mirrored my need to leave; to roll down a hallway or maybe a highway. It wouldn’t be long now.



Part 3 Out the Door

Wednesday, October 7, 2015

Part 2 Crystal Clarity

1443931553_Quartz_crystalPart 2 Crystal Clarity


“Psychic power is a bunch of hooey” Claudia said nonchalantly as she took another bite of her pastrami on rye.


I pushed back from the pink Formica kitchen table and set my empty plate in the sink. “I’m sure I feel something when I tune in, especially if my crystal-ball-full1-3000-sketch1-wm1-400crystal ball is near,” I responded.


I love Claudia more than anyone else. She is smart and pretty. Her feet are tiny as if they had been wrapped from birth—like they used to do in China. Her toes curl up and her strides are short. No matter what she wears she looks perfect—at least to me. I hang on her every word, completely ignoring her cruelty. I blame myself for not measuring up. I’m lucky to be her friend. I’m considered somebody because she lets me hang out—popularity by association. I know if I put up with the digs that somehow I’ll become like her—self-assured.


“Okay, so let’s go get it and you show me what you see,” she said handing me her now empty plate. “Clear off the table and bring in that Ouija board we played around with last year. You said that would work too and the thing didn’t budge. Seriously, Elaine, you are so full of shit.”


I pretended I didn’t hear the last remark and dutifully retrieved both my ball and the Hasbro game from my bedroom. As I carried it back, I thought about how much I wanted Claudia’s mother, Carolyn, to be my mother. She wasn’t pretty in a physical sense, but she carried herself with dignity and style. She had taste and was so kind to me when I waited forever on weekday mornings for Claudia to get ready for school. She talked to me as if I knew something, that I was smart and what I thought mattered.


“Okay set it here, “Claudia commanded. “Where’s the ball?”


Once again I pretended not to hear the impatience and carefully unpacked the board and flat plastic pointer— its triangular shape designed for three sets of fingers—we’d have to make two work. I set my crystal ball nearby.


“You sit there,” I said pointing to a side chair as I took the opposite position. “I’ll start it going.”


“What do you mean, going?” Claudia laughed.


“Watch. I’ve been practicing,” I whispered as I placed my fingertips on one side of the planchette. “And you’ve got to believe or it won’t work.”


After a few moments, I could feel slight burning in my hands and feet. I glanced at my ball and it was cloudy with a milky haze. The triangle began to move. It spelled out Doss.


“What the hell is Doss?” Claudia mumbled and glanced around the room. “What’s happening? I don’t like this—there’s something here.”


I looked towards my tiny crystal globe and saw a boy’s face with long straight hair. Claudia grabbed for her jacket that had fallen on the floor and headed towards the door.


“I’m going home,” was all she said as she left. Neither of us knew that within two years’ time, my name would be Elaine Doss.


 


 



Part 2 Crystal Clarity

Saturday, October 3, 2015

Crystal Ball

1443931553_Quartz_crystalCrystal Ball


Now smooth and round, I was once the center of a rough and un-tumbled rocky crag. For centuries I lived in darkness deep in a cavernous earthly vein. No light flowed to meet my gorgeous essence so I sat accepting all that was me. I don’t remember my Jurassic birthday, but I remember the day I was mined and exposed to light and vision.I remember the day human hands broke me from my wall and machined me rounded and clear as only a ball can crystal-ball1-1000-wm1-400be. Placed on a pedestal others gazed into me for vision. Sometimes I could see what they were, wanted to be or could be—other times clouds filled their soul and consciousness—not ready to see or be seen.


Human desire is new to this place—born recently to the planet. Yet humans love and hate with a vengeance that is strong and unclear. The earth’s desire is ageless and resourceful. Human’s may try and destroy me, but I am resilient. I adapt and wait for an opportunity to strike back with earthquakes, storms and floods. The stress brings wars, famines and man-made destruction—until I win and humanity is gone.


It goes, unless child-like visionaries see my light and my love. An infant’s eyes see my potential. The world is born anew with their re-birth. A toddler becomes my friend and I heal. The toddler ages into a seer. The seer keeps me on a shelf, easily within reach. I am a crystal ball—prism of light.


Photo courtesy of Blake Webster


www.mediadesignservices.com



Crystal Ball

Sunday, September 20, 2015

Datura

Photo: Elaine Webster

Photo: Elaine Webster


Sketch Rendering: Blake Webster www.mediadesignservices.com

Sketch Rendering: Blake Webster
www.mediadesignservices.com


1442799968_Pollen_FlowerDatura

Beautiful poison
Inspired by  love and death
Irresistible.


Illustrations add pizazz to poetry collections, cookbooks and children’s books. Many writers don’t include original artwork because of the expense involved. Today’s technology, however, can create sketches from photographs.


I took the original photo of a Datura flower at Fort Ross in

Sonoma County. Mercedes Call, the beautiful Chilean wife of

George W. Call, who purchased the Fort in 1873, was an avid gardener; the legacy of her efforts can still be admired in the garden she tended until her death in 1933. I was surprised to find this powerful plant among her collection. The substantial aged vine drew me in with its magic. The poisonous plant also has hallucinogenic properties. I wonder if Mercedes planted Datura only for its beauty or did she have other planned usages?


The sketch rendered by Blake Webster, captures the intensity even more. Blake’s experimentation with various enhancements has produced special effects that previously required an artist’s hand and he has added photographic rendering to his list of services. For more information contact Blake at blake@mediadesign-mds.com



Datura

Wednesday, September 2, 2015

Pan

1441258346_FlutePan


I had lunch today with Pan.


–A birthday party;


he comes each year,


to eat oats and honey.


–Life’s nectar,


and to tell me that all is okay, all right, blessed.cactus-flower-090215-1-500


Though reassuring, I don’t believe his devilish lies.


“It could be better,” I say.


He takes a sip of orange tea.


–Nibbles a tidbit of raisin bread toast with strawberry jam.


“There are special ones who feel deeply, but lose joy,” he says.


‘They are the most vulnerable,” I add thoughtfully as I take a scolding tone,


“Don’t talk with your mouth full.”


“Is there any other way?” he asks.


The sun is at sky’s peak and we laugh.


 


photo courtesy of Blake Webster


www.mediadesignservices.com



Pan

Saturday, July 11, 2015

River -- A Short Story

canada_river_101814_230_300_cover1River


By Elaine Webster


River chewed her tongue—a childhood habit that comforted her in some basic way. Ari would be unlocking the door to their apartment just about now. It would take him awhile to unearth the note she left on the bar next to the scotch bottle.  She could hear the click of the ice as it dropped into the whiskey glass, then the pour and first sip. He would notice it where the bottle was, plain, simple and strong like the drink.


River’s attraction to older men had led her to the college professor’s bed. She liked them strong, smart and handsome; each one meaner than the last. This time she would break the cycle for good—get away from the smog and settle in the high desert of New Mexico. The lab tech job didn’t pay well, but Summerford Genetic Testing Laboratory had extensive government contracts and promise of a financially secure future. The remote location, hidden away in plain view, in a mundane gated and security patrolled Business Park, offered River solace.  She rolled down the window and waited for the guard to speak.


“Can I help you?” he asked.


“I’m here for a job interview,” River said as she dug through her purse and unfolded a scrap of paper.  “I have an appointment with . . . uh . . . Manuel Chavez.”


“Oh, yeah, Manny said he was expecting you. I’ll give him a buzz. Hold on a second.”


River dabbed at her forehead—she’d get used to the heat—after all it’s a dry heat—which she’s been told is better. The lab would be air-conditioned and the desert cooled in the evenings. She’d be all right—she had to be.


“Okay, Manny’s in his office. Drive straight until you hit the dead end. His office is on the right. You’ll see his name on the door. Good Luck.”


River pulled her Ford Focus next to a Jeep Wrangler with dealer plates and the word “Rubicon” initialed on the side. The office door opened as she turned off the engine and a weathered man, well over sixty emerged. He wiped his palm on denim jeans and held his hand out to River.


“Welcome. Sorry I didn’t dress for the occasion, but I forgot to do laundry this week. Gotta hire a housekeeper one of these days. I’m going to be your boss,” he said.


“I’m River  . . . River Agosto,” she answered as they shook hands. “Am I hired? You haven’t even interviewed me.”


“Well I read your résumé and if you want the job, it’s yours . . . doesn’t pay much and I’m lucky to have you. This place makes tons of money off the government, but is chintzy with the paychecks. C’mon in and I’ll show you the place . . . again nothin’ fancy, but it does the trick.”


River glanced around at the computers and lab equipment—all typical.  A subtle putrid odor permeated the air. “What’s that smell?” she asked.


“Oh, I clean the specimen cages daily, but they still stink . . . can’t get all the smell out of the air. We’re doing some research for the military—trying to genetically cross amphibians with rodents. You know how they say that after a nuclear war all that will be left are the rats and cockroaches? Well in reality it would be rats and lizards. Anyway we’ve made some progress crossing the DNA. Washington wants to save some money and stop sending people to war. They think they can do more damage with animal combinations, specifically designed to survive chemical weapons. I guess in some weird way it makes sense—to stop killing people and fight our wars with genetic mutations.”


River took a step back. “Is that what I’ll be doing here, mutating animals? I don’t think I can do that. I don’t eat animals . . . I certainly won’t torture them.”


“No worries, sweet pea. We’re wrapping up the live specimen research. You’ll be mainly analyzing data—all on the computer modules. You won’t have a reason to get your hands dirty. You did come here for a job, didn’t you?”


“Yes, yes, of course. I’m sorry; I just haven’t been in an animal research lab for a while, it’s part of the reason I became a vegetarian . . . can’t stand the sight of blood.”


“Well if it’s animals you like, I’ve got plenty of them on my ranch. Do you have a place to live yet?”


“I haven’t gotten that far. First I wanted to see if you’d hire me, and then check into a motel for a week or two to see if it works out. I work hard and long hours don’t bother me, but I can be sorta sensitive.”


“Sensitivity makes for a good scientist. We don’t need to talk much, anyway. We get our daily tasks through the network and as long as our list is up-to-date we can come and go as we please.”


Multiple work stations lined the walls. “Who else will I be working with? It seems like you’re set up for about ten people.”


Manny glanced at the clock. “Listen why don’t you let me take you to lunch, then I can explain more. I also have a proposition for you.”


The word proposition sent chills up River’s spine. No more men— that was the pact she had made with herself. Plus Manny was too old—even for her.


*   *   *


Four-wheel-drive seemed to be the common bond between the vehicles parked in front of the local diner. The smell of broiled burgers and deep fried potatoes welcomed River as she emerged from Manny’s jeep. “Will I be able to eat anything here?” she asked.


“Oh damn, I forgot. Say, listen, I’m a harmless old guy. Why don’t you come back to the ranch with me and I’ll cook you up some fresh vegies and rice?”


Raven flinched again and silently screamed, no . . . no . . . no!


Manny sensed her dilemma. “Look, I lost my wife a few years ago. I have a big ranch with two houses. I keep up the outside okay and tend the livestock, but my housekeeping sucks. I haven’t done laundry in weeks and I was going to ask you . . . since you need to rent a place and all . . . if you’d consider living in the cottage out back in exchange for some cleanin’ and cookin’. If you want we can go out there now and you can see the place.”


Everything was happening a little too fast—but what the hell—it can’t hurt to look. But he better not try anything.  She dug her nails into the passenger-side arm rest, while Manny chatted on about the job and how hard it was to find good lab help out here in the land of no opportunity. It took thirty minutes for the Jeep to maneuver the two-lane paved, then one-lane gravel road, to the ranch. The jeep handled the potholes with ease, but River held on tight until they pulled up to the front of a stucco ranch house with solar paneled roofing. Several steel windmills mounted on the nearby hills turned in the moderate breezes while cattle and sheep grazed the dry grasses.


“Oh I see you’re into green technology,” River said.


“Yeah, I’m completely off-the-grid, so to speak.  Haven’t paid utility bills in years,” Manny replied as he put his shoulder to the car door. “Wait and I’ll get your door for you.”


“No, no . . . I can do it,” River quipped as she slid out the passenger side. She didn’t want this old man helping her—or touching her for that matter—she didn’t know why.


Manny shrugged and started off towards the backyard. River jogged to catch up with him and moments later they stood facing the small cottage behind the main house.


“This was my wife’s art studio. I keep it the same as when she left it, but I think it’s time someone else lives here. If you want I’ll let you have it in exchange for some housework. What do you think?”


River turned the door knob and stepped into a room of safety. Sketches and paintings covered the cream-colored walls. Most were figure drawings of people—young and old, clothed and nude—each had an expression of pure unadulterated love.  The children’s eyes sparkled, the old men winked, the women were beautifully draped with satin fabrics.


“Oh no, this is your wife’s studio? I can’t live here.” River whispered.


“Well it’s time for me to move on. We can pack this stuff up and you can re-decorate.”


“Can I ask what happened to her? I’d need to know before I think about this.”


Manny slid into the over-stuffed chair by the window. A splash of sunlight through a crystal prism bounced a rainbow off his cheek. Manny slumped and stared as if in a trance. “I killed her.”


River took a step back and looked towards the door. What was she thinking coming here? Nausea hit, her pulse raced and panic sent her running. She got halfway to the front yard, when she realized she had no car—she was stuck. She froze. Manny came up behind her, touched her left shoulder and she let out the breath she held.


“I’m sorry, Manny said. “I didn’t actually kill her—she committed suicide. Please come inside the house. I’ll make some coffee and I’ll tell you more.”


*    *    *


River did move into the studio. Manny over time revealed the pain he had caused the one closest to him. He had adored his wife, but his words didn’t match his feelings. He described the anger as a reflex, something contained in his brain cells. He didn’t know why he said the things he did—he didn’t mean them—they flew on their own.


River knew Manny well. He was her father and her lovers. He was Ari, who she had abandoned for the desert, freedom, and healing.   She hadn’t changed anything in the studio—instead she settled into the peace that lived there. There was one photo of Manny’s wife—a framed clipping from an art magazine. She had blue eyes and shoulder-length white hair—carefully styled. The magazine said she was an up-coming local artist, specializing in the human form. River liked that line, “Specializing in the human form.”  In some way she felt if she could merge with the woman in the picture, she could heal them all, even the one who took her own life.


A barn and animal enclosures filled the property behind the cottage. River got to know the Nubian goats and Road Island Red Hens by name. She bonded with a young doe, Gretel, and they took daily hikes together. Sure-footed Gretel mastered the steep hillsides with ease and often ran ahead as River brought up the rear.


“Gretel, wait up,” River gasped—breathless from an especially strenuous climb.  She pulled herself over a rocky ledge and stared into a pair of steely-grey eyes. The four foot tall creature, stood erect and stunk like rotten meat—blood dripped from its month.  The pair stared at each other for a few seconds until the shaggy, brown-haired creature squealed and ran off into the nearby ravine.  A soft bleating sounded from behind a nearby boulder.  River sprinted towards the cries.


“Oh my God, Gretel! What happened to you?” River gathered the goat into her arms. There were two puncture holes in Gretel’s neck and River pulled a towel from her daypack. She wrapped her companion’s neck, and hoisted the limp body over her shoulders.  Luckily they hadn’t climbed more than a quarter mile and River descended the trail with the unconscious goat in less than an hour—slipping and often sliding short distances.  When they reached the house, Manny, belted back his second morning Bloody Mary and stumbled towards the pair. River dropped to her knees and allowed her burden to roll into her boss’s arms.


“Be careful with her—she’s hurt pretty bad,” River instructed and unable to ignore Manny’s breath asked, “Have you been drinking, already?”


“No more than usual,” he said, shrugging off the comment. “C’mon let’s get her to the barn. I have something to stop the bleeding.”


Manny, used to tending livestock injuries, stopped the bleeding, cleaned and wrapped the wound and re-hydrated Gretel with an IV-drip. The effort had physically and mentally sobered him. Exhausted he lowered himself next to a shaken River seated on a bale of hay. He took her hand as she pulled away.


“Wait, sit down . . . I won’t hurt you,” he said to the trembling woman.


“How do I know that? How do I know who will and will not hurt me? You’re like every man I’ve known, sweetly cruel, stupidly drunk and unreliable.”


“I haven’t always been this way,” Manny mumbled. “It’s this place and this job. I spend my days designing beings and systems meant to destroy. From Gretel’s wounds, it appears she ran into one of my experiments.”


“You mean that you created that thing I saw, in the lab?”


“We call them Chupacabras— goat-suckers—Gretel’s lucky she’s alive.  They adapt well to both desert and jungle environments; are merciless killers, and as you know, it’s been our military project for the last year to come up with a new weapon. Several escaped from the lab awhile back and the government put a hold on the project until we do damage control—I laid off the lab technicians working on the project. You’re the first new hire since last year. I thought I had trapped them all—but obviously not.”


River backed to the far wall and slid to the floor. Through the open barn door she gazed at the flocks and herds of animals that wandered Manny’s property. “So the livestock are lab animals?”


“Well they started out that way, but my wife, Tara, adopted them as pets,” Manny started then stopped. He resumed as if he had a list memorized. “A vegan, like you, she fought for their lives and with me. The work hardened me—I built up a defensive wall—no one got in—not even Tara. I drank more. We drifted apart. I had my work and she had hers. I grew hard, angry and cruel. She grew distant, afraid and anxious. I finally had the cottage built, so she could be alone. It worked for a while until I grabbed her prize rooster for lab animal feed. When I came home for lunch that day, she was dead—took an overdose of valium—the pain was too much.”


River stared at the man. Once again she wanted to run as far away from him and this place as she could. All she could think about was that no matter what she did, or went, she ended up with her back against the wall. What was the attraction? How do these people find her?—or does she find them?


*    *    *


Gretel recovered—the old man and young woman didn’t. River had walked away that day determined to break free from everybody—at least until she knew how to mend. She and Manny worked in the lab, but talked very little. On the ranch they avoided each other—never saying more than, “good morning,” or “nice day.” River analyzed data which lived on spreadsheets. She didn’t care what the numbers felt—just that they added up—made sense—didn’t fall out of place. All was good, until one afternoon she glanced up from her computer screen and Ari towered over her.


River gasped, “What are YOU doing here?”


“Sweetheart, I’m here to take you home—with me—now c’mon,” he said as he pulled the rolling desk chair around.


“I meant what I said in that note I left,” she hissed. “How did you find me, anyway?”


Before Ari could reply, Manny came in from the back room. “What’s going on here?”


“Who the hell are you?” Ari grumbled.


“I’m her boss. How did you get past security?”


Manny hit a red button and an alarm sounded. Ari started for the door just as the patrol car pulled up and an armed guard emerged with his weapon drawn. River panicked, put herself between the two and addressed the guard by name. “Carl, it’s okay, I know this man.”


“Well he hopped the fence on my shift and I’m not getting in trouble for it,” Carl said as he grabbed Ari’s arm, pushed him over the car hood and rummaged through his pockets. “This is government property . . . you’re going to jail.”


Manny came up behind River, “Who is that guy?” he asked.


“Ari, who I thought I’d never see again. I give-up—what’s wrong with me? I’m not that special—why won’t they leave me alone? Am I some sort of bully magnet?”


Manny touched River’s shoulder, but she pulled away. “Don’t you touch me . . . I don’t want anybody touching me!” River threw open the office door, grabbed her purse, stomped past Manny, lowered herself into her car and sped away. Within minutes she was inches from the rear bumper of the security guard’s car and she leaned heavy on the horn.


“Pull over . . . goddamn it . . . I want to talk to you!” she yelled into the dashboard, until the car in front pulled over.


Ari got out of the car. The guard came next. River ran straight towards them, “You son-of-a-bitch! How dare you show up here?”


River picked up a fistful of gravel and flung it at Ari, who ducked it. “Hold on sweetheart, you’re upset . . . slow down.”


River reached down for another handful of gravel, and the security guard grabbed her arm.


“Okay, just hold on, now. This obviously isn’t any of my business, but you’re gonna hurt someone and I can’t have this sort of thing happen on my shift. Look, buddy, get back in the car and I’ll drop you off at the gate. And missy, I’d suggest you go back to work, unless you want me to call the sheriff.


River dropped the gravel—stared for a second as the two men drove off—she couldn’t breathe. She squatted for a second and forced air into her lungs, then blew it out.  She repeated the exercise until the anxiety subsided and slid back into her car.


When she re-emerged at the cottage, she locked the door behind her, slumped to the floor and sobbed huge air-gasping cries, unaware of the Chupacabra that stared from across the room—that is until the odor reached her nose. River froze—the thing approached and sniffed at her toes. Dried blood covered its chin and chest and River spied a rabbit carcass by the kitchen door. The lizard-rat crouched. River squirmed along the floor towards the door. It pounced forward and leapt, both feet airborne, then crashed on top of her. Blood spurted from the gunshot wound that had blown most of the skull away. Manny shimmied through the broken window.


“River!” he screamed.


River pushed at the dead animal and rolled it away. Blood spattered the walls and ceiling, yet she felt safe—the fear gone—the panic ended.


Manny knelt and gently took her hand in his. “Are you okay? I’ve been tracking that beast since the attack on Gretel. I never thought it would end up here.”


“Something is done—finished. Can you feel it?” she asked.


Manny shuttered. He grabbed for the bookcase as leverage. Tara’s photo tipped off the top shelf and fell in his lap.  Her twinkling blue eyes looked up at him—deep as a mountain glacier—her smile—how he had loved that smile.


“Yes, I feel it. I’ve been forgiven.”



River -- A Short Story

Tuesday, July 7, 2015

The Magic Behind Spiced Shrimp

shrimpThe Magic behind Spiced Shrimp


Divine Intervention, Celestial Alignment, Karma, whatever, are writers’ friends. We sit for hours, days, weeks even months contemplating, researching, editing, struggling and then one day a miniscule grain of brain itches and we have to scratch. I’m not sure this is one of those days, but I’ll give it my best shot.


Recently Patricia V. Davis launched a new project—a trilogy of “The Secret Spice Café” novels—Cooking for Ghosts and Lost Lovers. Coincidentally, I have a mess of a novel idea, that has to do with Amazonian Secrets, Ayahuasca (a hallucinogen of sorts), Shamanism and I’m not sure what else yet—so don’t hold me to a deadline. However, that itch that I haven’t been able to scratch, may have a start in a culinary recipe. Patricia has teased a recipe contest. (opening soon–website address below) Now, if I let social media carry this from my blog all over creation, I’ll probably be pre-published and disqualified, so it goes.


Magic Spiced Shrimp


Prep Time: Eternity or if you’re handy around the kitchen, 25 minutes.


Cook Time: Not an eternity—like 20 minutes.


1 lb. large raw shrimp, peeled, deveined, tails removed


1 Tablespoon olive oil


1 large shallot finely chopped


Garlic—as much as you like, also chopped


1 large lemon, zested and juiced


Some wine, sherry, brandy—whatever suits you—splash in as much as you want


1 cup of broth; vegetable, chicken, or fish (no beef)


Snip fresh magic herbs:


All herbal ingredients must be harvested where you are, not where you were, or where you want to be. How do you feel today? Minty? Pungent? Sweet? Find the herbs that match. Pick them from your garden, windowsill, or they can be out of your refrigerator—but nothing dried or pasted. Snip ‘em up with kitchen shears—no chopping. Carefully blend the mixture, tie it in cheesecloth, thread kitchen twine thought the knot and wear it as a necklace for a while. You decide how long—this sets the magic.  Could be just a few minutes, or it could be with an hour meditation, (you’re the chef), but it must hang over your heart as you prepare to cook.


  1. Cut the shrimp lengthwise and set aside.

  2. Find the heaviest skillet you have. Think cauldron.

  3. Heat the oil and sauté the shallots and garlic for a few minutes.

  4. Add the shrimp, lemon zest and juice.

  5. Pour in your liquor. Take a swig, if you like. Add the broth.

Wait until the herbal mixture says something. It will, if you listen. When you’ve heard, proceed.


Add a half a cube (4 Tablespoons) of the freshest dairy butter you can find to the pan. If you’ve churned it yourself, that’s the best. Carefully open your heart pouch of herbs and add them to the mixture. As they soften, mesh and meld, grate fresh parmesan cheese. Pour the sauté into individual bowls, sprinkle with parmesan and serve. You can eat alone, with someone special, or even someone you despise—your choice—the herbs will change with each meal–as does life.


Special Thanks to Patricia V. Davis: http://www.patriciavdavis.com/new_cooking_for_ghosts


Bookmark her site for upcoming contest details.



The Magic Behind Spiced Shrimp

Wednesday, June 24, 2015

Flip Flops and Time

Flip FlopsFlip Flops and Time


In the beginning–only flip flops and time.


Crude sandals to protect and preserve.


Long days: sandy beaches, gravelly river banks or deserts—


grow tribes, families, towns, countries.


 


In the beginning—only flip flops and time.


Youthful love; splashed with the wet of creation.


Long years: children, migrations, settlements and peace—


grow governments, wealth, boundaries and scuffle.


 


In the beginning—only flip flops and time.


Costumes flourish to prance in peacock style.


Long centuries: contests, wars, hatred and division—


grow strong in delusion.


 


In the beginning—only flip flops and time.


Creation simmered, boiled and burst into energy.


Long lines: computer code, devises, quick moving thumbs—


grow divisions of people.


 


How did we lose Flip Flops and Time?



Flip Flops and Time

Monday, May 25, 2015

Project Unconditional

heart biscuitsProject Unconditional


Wikipedia puts it like this:


Unconditional love is known as affection without any limitations, it can also be love without conditions. This term is sometimes associated with other terms such as true altruism, or complete love. Each area of expertise has a certain way of describing unconditional love, but most will agree that it is that type of love which has no bounds and is unchanging. It is a concept comparable to true love, a term which is more frequently used to describe love between lovers. By contrast, unconditional love is frequently used to describe love between family members, comrades in arms and between others in highly committed relationships. An example of this is a parent’s love for their child; no matter a test score, a life changing decision, an argument, or a strong belief, the amount of love that remains between this bond is seen as unchanging and unconditional.


As I read this definition, I realize I have never had this experience, except with my dogs. Even in marriage there are conditions. A pact is signed; promises made, and love ebbs and flows within time. A good marriage is less conditional and a bad marriage—YIKES! So, when photographer Jane Klonsky contacted my husband Blake and me to contribute to her Project Unconditional, we didn’t hesitate.


If you follow my blog, you are familiar with the Thulani Program—a division of German Shepherd Rescue of Northern California www.gsrnc.org  www.thulanidogs.org which places old and medically needy dogs in forever foster care homes. Jane’s Project Unconditional http://www.projectunconditional.info/#projectunconditional  is on a mission to capture the love between humans and their dogs—especially those challenged with age. Click though the photo gallery below to see the results of our contribution to this wonderful project.  (All photos are courtesy of Jane Sobel Klonsky.)


The courage, loyalty and yes unconditional love these dogs bring with them after often years of abuse is fascinating. Many of us struggle with life’s challenges and spend much time licking those wounds. Yet these dogs, often abused for years— underfed, left for dead or dropped into shelters to be euthanized—put it all aside as soon as human kindness shows them a way to live. And live they do. In a few days they begin a life they have often never known—a life with balls, treats, warmth and love. They soak up every ounce of joy then return it in full, plus more, with the unconditional love defined above.


Many indigenous people believe that animal guides are our connection to the natural world. Pets of all types, and particularly dogs, have become more popular as society’s stresses increase. They have become our teachers, companions and guides. They remind us that all is not lost—there is always hope.



 



Project Unconditional

Monday, April 27, 2015

Sew What?

1430194522_sewing_machineSew What?


Carole King’s blockbuster album, “Tapestry” accompanied me home from work today. I rocked to “I Feel the Earth Move” and soon after teared-up with “You’ve Got a Friend”. When Carol wrote these songs, she was in transition. Her marriage had broken up with Gerry Goffin and friends were hard to come by. In the more recently released memoir, “A Natural Woman” she describes her marriages. One husband became a drug addict, another was physically abusive, and she explores the reasons why she stayed with them as long as she did, and offers advice to women in similar situations.


I thought about Carole this afternoon. Our lives have few similarities. I have never been in the music business and I’m married to my best friend, yet I feel kindred with the singer songwriter. Carole hangs on to people and situations that are not good for her too long. She’s tolerant and forgiving and will give herself away to abusive types in hopes . . . In hopes of what? That they’ll change? See the light? Say they’re sorry? Be friend-like? Fix themselves? In spite of the pain she tries again, yet each time it ends badly for her. However, she trashes no one. She takes her life with her as she leaves.


I recently put away much of what I’ve tried to do in the past few years. I accomplished some things of value, but couldn’t pull off the big picture. Instead, I dusted off my sewing machine, created a garment—a kimono—free flowing, soft and warm. I began stitching a tapestry—an intentional design—structured with room for innovation and beauty.


I spied my husband/only true friend reclined outside with a glass of local wine. With tapestry in hand I sat nearby. How would I describe my personal transition? StudioI began, “So.” He looked at me and then at the needlework, “Sew what?” he replied and we had a good laugh.



Sew What?

So What?

1430194522_sewing_machineSew What?


Carole King’s blockbuster album, “Tapestry” accompanied me home from work today. I rocked to “I feel the Earth Move” and soon after teared-up with “You’ve Got a Friend”. When Carol wrote these songs, she was in transition. Her marriage had broken up with Gerry Goffin and friends were hard to come by. In the more recently released memoir, “A Natural Woman” she describes her marriages. One husband became a drug addict, another was physically abusive, and she explores the reasons why she stayed with them as long as she did, and offers advice to women in similar situations.


I thought about Carole this afternoon. Our lives have few similarities. I have never been in the music business and I’m married to my best friend, yet I feel kindred with the singer songwriter. Carole hangs on to people and situations that are not good for her too long. She’s tolerant and forgiving and will give herself away to abusive types in hopes . . . In hopes of what? That they’ll change? See the light? Say their sorry? Be friend-like? Fix themselves? In spite of the pain she tries again, yet each time it ends badly for her. However, she trashes no one. She takes her life with her as she leaves.


I recently put away much of what I’ve tried to do in the past few years. I accomplished some things of value, but couldn’t pull off the big picture. Instead, I dusted off my sewing machine, created a garment—a kimono—free flowing, soft and warm. I began stitching a tapestry—an intentional design—structured with room for innovation and beauty.


I spied my husband/only true friend reclined outside with a glass of local wine. With tapestry in hand I sat nearby. How would I describe my personal transition? StudioI began, “So.” He looked at me and then at the needlework, “Sew what?” he replied and we had a good laugh.



So What?

Monday, March 23, 2015

Home

1427172868_AmethystHome


Muscle testing or Kinesiology is often used by psychologists and medical professionals to receive answers hidden within our bodies. It is not yet time for spring gardening, yet as caretaker of the small piece of the world I call home; I have begun using the technique to ask questions about how to proceed. A few flowers have made an early showing which makes me feel that the nature spirits are slowly stretching and yawning—contemplating an early spring.


Today I sat longer than usual in meditation. Afterwards, my dogs Tatum and Woody were thrilled that it was time for a few ball tosses. Outside, as we romped, I Fuschia500wondered where the fairies napped, spent their evenings, and regained their strength.  I tried a simple Kinesiology exercise by making a circle with my left hand fingers and threading two right hand fingers through the center. As I walked across the lawn, I asked questions and pushed the inserted fingers against the circle wall. If the circle opened easily I interpreted a negative response, if opening felt difficult the answer was yes.


I used this technique to find the local fairy condos. I assumed they lived in the redwood tree—so much shelter and strength there—but no. I tried the climbing arbor—lots of shade in the summer for rest—but no. I was about to give up when the Fuchsia by the back door fluttered.  I asked, “Is this where you live?” I could not pull my fingers apart without a great deal of effort. Tatum’s head cocked to the right and Woody inquisitively lifted his head from his favorite napping place next to the plant.


Of course, this is completely logical. The Fuchsia bush is protected near the house. Winds and torrential rains miss the delicate flowers—shielded above by a roof extension and on two sides by the patio walls. The sun is diffused and a slight breeze wafts gently.


I gingerly tiptoed closer and took a snapshot. No need to disturb the slumber–let them sleep; we’ll have plenty of work to do soon enough.



Home

Sunday, March 15, 2015

Transformation

1426462290_photosTransformation


No hurries—no worries.


I can sit to meditate on the sun—


or the rain.


Rain that cleanses


And smells like spring—


or summer.


I walk miles alone.


Crowded only by thoughts.


Or I can hide with multitudes


It is all the same—


this feeling of now.


I swim in the ocean


Or a lake or a stream—


Wade through creeks


trickling with that sound


that brings soft sleep.


I catch a hook in my mouth


And jump with the bass


Flopping to be free


Once again.


I can do all these things in my own time.



Transformation

Monday, February 23, 2015

Balance Regeneration Options

1424585117_balanceBlake fell back and the wall became red with spaghetti and sauce. It took a few seconds for Elaine to realize that her husband’s implanted defibrillator had gone off—not once—twice.


Elaine fell back and the wall became permeated with frustration and fear. It took her a few days to realize that her beyond cuckoo meter had gone off—not once—twice.


Blake and Elaine slept off the awakening–time to re-evaluate, reschedule and restore. They considered their balance regeneration options.bread-images-022215-1-500


The pivotal point began with the physical and mental shocks followed by an exam. The baby boomer generation, in an attempt to make it right, questioned, experimented with, changed and discarded much of which was considered the norm. We went back to the land, lived communally, had children delivered by midwives, gardened organically, ate healthy foods, meditated and at the same time, had our lives changed dramatically by media and technology. And with the effort to combine these often incongruous elements of modern day existence, we became, in many ways bi-polar—initially becoming manic with our enthusiasm, creativity and overindulgence, to later become depressed with the results.


This past week I took down a first edition of Carla Emery’s Old Fashioned Recipe Book that I had purchased from the author in its original mimeographed form in 1974. This book had been my bible when I milked goats, tended chickens and lived a happy, healthy, existence. I had a job that paid half the bills, meditated and enjoyed a peaceful home life with my equal wage earner husband, Blake. With happy times in mind, I opened the book again, found a classic recipe and made sourdough bread in my Cuisinart computerized bread machine. It took half the effort and came out great. I may be on to something. Stay tuned as Beyond Cuckoo continues . . .the garden’s cover crop will soon be tilled under, organically fertilized and planted.


mustard_022315_500


 


 



Balance Regeneration Options

Sunday, January 25, 2015

Coleslaw -- On the Side

1422251586_My DocumentsColeslaw 


“Why did you pick me to mix with carrot shreds?”


asks the hand cut cabbage.


“The sun warmed me and my roots had water


before you came.”


The red and black radishes cry the same,


“Why were we uprooted, before we bloomed?


Our future seeds yearn to spread and grow.”


The cook ignores the unenlightened.


Instead she whips mayonnaise and vinegar—


adds poppy seeds,


tabasco, sugar and salt.


A side dish has no meaning alone—


a main course accompaniment.


Meant only to blend in with the crowd;


and enjoy second place.


Plated to tickle the palate


and please the eye;


never to overwhelm center stage.


Yet, what would the main course be


without its side?


An overrated piece of meat or fish—


consumed by a disappointed customer;


followed by a bad review.


Soon showy white linen


and gilded place settings


greet hungry guests.


With clicked glasses of wine


they agree—


this coleslaw is special.j



Coleslaw -- On the Side